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The Golden Age of
Ornamental Penmanship
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The "Golden Age of Ornamental Penmanship",
from approximately 1850 to 1925, was a unique period in American calligraphic history.
Beautiful penmanship was the rule of the day, and the flexible pointed pen was king.
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Taken with permission from "Spencerian
Writing and Ornamental Penmanship, Volume I", by Michael R. Sull
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Platt Rogers Spencer (1800-1864)
Platt
R. Spencer, often called the Father of American Writing, was a man whose fame can be attributed
to the rare combination of qualities he possessed, and the particular timing of his life relative
to American history. He was born on November 7, 1800 on a farm in the hills of East Fishkill,
New York. The youngest of eleven children, Platt was enamored by nature and found delight
in the scenic hills, glens and valleys of the countryside. Natural beauty captivated him,
and the gentle ovals and elliptical shapes found in nature became the models for the oval
letter forms he developed.
In the 1830's, Spencer traveled to local common schools to teach penmanship, and started a
school of his own. By the end of the decade, Spencer found more and more students willing
to come to his writing school in search of his unique educational program. For over ten years
he taught his penmanship by giving small slips of paper bearing his writing to his students.
He would fill a whole sheet of paper with lines of writing, and then cut the individual lines
apart. Once this was done, Spencer would place these narrow slips into a linen pouch, and
give them to his students as exemplars of writing for study.
The Spencerian System of Writing
The
Spencerian System of Writing was a significant change from the handwriting styles of the day.
Writing models were from England, and were engraved by means of copper plates. The forms,
however, were based on circular shapes, made laboriously with disconnected strokes, and hence,
the style was slow and difficult to learn.
By
contrast, Spencer's system encouraged the more natural tendencies of the hand and arm muscles
toward elliptical shapes and rapid, fluid lines. They were easier to produce than circular
forms, and far more graceful as well.
As years went by, his style of writing became more widely accepted than any other writing
system, and in the 1850's became the standard writing system taught throughout America.
The Golden Age
In the years following the death of Platt Rogers Spencer, a number of
his students continued their mentor's efforts in promoting the Spencerian System of Writing,
and skilled penmen were in great demand.
Several of the penmen soon established writing schools of their own. George Gaskell, one of
the most prominent, founded a school on penmanship, and published a comprehensive book entitled
Gaskell's Compendium of Penmanship. These first generation students of Platt Rogers Spencer
not only perpetuated his legacy, but further developed the forms of Spencerian Script into
a beautifully flourished style of writing called "Ornamental Penmanship".
During
the closing decades of the nineteenth century, great interest was taken in artistic writing,
and the most highly skilled individuals of the era surfaced from the ranks. Men whose names
today are acknowledged as the great masters, such as Henry Flickinger, William E. Dennis,
Charles Paxton Zaner, Elmer Ward Bloser, A.D. Taylor, C.C. Canan, Edward Mills, Lloyd Kelchner,
Francis B. Courtney, A.N. Palmer, Louis Madarasz, Fielding Schofield, Willis Baird, Charlton
V. Howe, Clinton H. Clark, Frederick Tamblyn, John Williams, Silas Packard, H.P. Behrensmeyer
and Harry Blanchard, among many others. They influenced thousands of aspiring penmen, and
set the standards for the very best that writing and the penman's art could be.
Studio Engrossing
By
definition, Engrossing is an art form where a body of text, usually congratulatory or memorializing
in content, is designed and ornamented with elaborate border treatments and decorative words
and letters. Engrossers tended to be a combination of master penmen, illustrator and designer.
William E. Dennis, who became known as "America's Dean of Engrossing", was the true epitome
of the most skilled artist in all fields of penmanship. Partnered with Willis A. Baird, their
combined efforts produced some of the most magnificent art pieces of the Golden Age.
The End of an Era
In many ways, the Golden Age of Ornamental Penmanship quietly died away
into America's history books. The days of the itinerant penman were over, and the industrial
wheels of progress began turning faster and faster. Typewriters, as well as other forms of
mechanized/electronic communication, found their way into every business office on the continent.
Correspondence courses in penmanship continued for a few decades, but it was almost as if
a "quietness" had swept over the land with regard to penmanship. Fountain pens and then ball
point pens became popular around World War II, and the "new" industrial revolution brought
about an era that was far different from the days of Spencer, Madarasz, and Dennis.
The days of practicing oval exercises upon a blackboard are gone now, as are the common school
inkwell and pen. But we should know about the penmen of the past - about who they were, what
they did, and more significantly, what they have left for us - the new stewards of penmanship.
The penmen and their times are part of our heritage. This, we should remember.
-- Michael R. Sull
Click the images below for biographical information on
these Master Penmen from the past.

Joseph J. Bailey
1879-1970 |

Willis A. Baird
1882-1954 |

Henry P. Behrensmeyer
1868-1948 |

Elmer Ward Bloser
1865-1929 |

Edwin L. Brown
1869-1958 |

Clinton C. Canan
1873-1904 |

Mary L. Champion |

Clinton H. Clark
1864-1937 |

Francis B. Courtney
1867-1952 |

William E. Dennis
1860-1924 |

Henry W. Flickinger
1845-1925 |

G.A. Gaskell
1845-1886 |

Charleton V. Howe
1870-1952 |

Lloyd M. Kelchner
1862-1948 |

Earl A. Lupfer
1890-1974 |

Louis Madarasz
1860-1910 |

Edward C. Mills
1872-1962 |

Austin Norman Palmer
1860-1927 |

Fielding Schofield
1845-1924 |

Lyman P. Spencer
1840-1915 |

Sara L. Spencer
1832-1923 |

Frederick W. Tamblyn
1870-1947 |

Albert D. Taylor
1863-1898 |

Charles Paxton Zaner
1864-1918 |