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Penholders - The History and Development of the Zaner Method Penholders
Here is the story of the Zaner-Bloser penholders, as published
in The Business Educator (vol. 34, no. 10), June, 1929
Penman's Hall of Fame It has been nearly 150
years since Platt Rogers Spencer published his first book on penmanship.
In the ensuing years, penmen have come and gone without fanfare,
leaving for us the legacy of their art. It is time we knew who
they were.
Penman's Newsletter Number 1, 1949
The sad news has reached Most of you, lovers of penmanship, that
the beloved penmanship publication, The Educator, (formerly The
Business Educator) published by Zaner & Bloser Co, Columbus, Ohio
for the past 55 years, will discontinue its publication with the
December 1949 issue.
Penmanship
The following was taken from "The Zanerian Theory of
Penmanship", by the Zanerian Authors of the Zanerian Art
College 1892.
Penmanship Experts Compare Notes In 1850, the
Spencerian method of penmanship was developed in the United
States and was taught in public school,, and colleges around
the nation until the 1940s when it was dropped and replaced by
more academic subjects.
Penmanship Made Easy, George Bickham Writing
will never look Ornamental without a due portion of Characters
throughout the Whole, a just Distance between the letters themselves
as well as the Words, a Natural inclination of one Letter to another,
& a Smooth Stroke performed with boldness & freedom.
Penmanship Problem in Public and Private Schools, C.A. Chessman
Taken from The American Penman, September, 1907
Penmen from Pocatello, Idaho, E.E. Gwin The man
responsible for the success of good penmanship and good penmen
from Pocatello was that nationally known penman and teacher, and
fine gentleman, T. Courtney
Peterson,
Percy O. (1877-1941) Dr. Peterson attended the
Zanerian College in 1902. In 1911 and again in 1926 he sent his
sister, Elizabeth, to the Zanerian.
Poole, E.A.
(1857-1946) The day of the itinerate teacher
is no doubt gone but those old teachers filled a definite niche
in our educational system and the work which they did left a wholesome
influence.
Presidents of IAMPETH A list of Past Presidents
from 1950
Pritchard, Albert
S. (1846-1910) Albert S. Pritchard died on January
13, 1910 at the age of 64. He was a penman of the old school,
having been a student in penmanship under the late George J. Becker
at Girard College, where he graduated.
Rice, J.D.
Mr. Rice went to the school in 1901 as a teacher when the school
had an enrollment of four hundred students.
Richardson,
Eileen (Broad) (19??-1995) Eileen Richardson
has done much to keep the traditions of penmanship alive and has
brought many lovers of the art together. The members of IAMPETH
have forged lasting friendships we will treasure forever, and
owe a great debt of gratitude to our founders for bringing us
together.
Richardson,
E.F. (1856-19??) Mr. Richardson has studied penmanship
of E. K. Isaacs, H. W. Kibbe and G. W. Michael, three penmen who
were very active in penmanship work and nationally known over
a quarter of a century ago.
Richardson,
F.D. on E.C. Mills Then 25 years later, E. C.
Mills of Rochester, developed practical penmanship from the calligraphy
of Platt R. Spencer known as "SPENCERIAN" and that was about the
turn of the century.
Ricketts,
C.L. (1860-1941) For many years Mr. Ricketts
has conducted an engrossing studio in Chicago. Mr. Ricketts made
quite an extensive study of Medieval Manuscripts and illuminated
work. He made frequent trips to Europe where he collected a vast
amount of very precious manuscripts.
Rickets, C.L.,
Engrosser, Chicago, Illinois There are 12,000
(yes, the zeroes are correct) of his items at the Lilly Library,
Indiana University.
Risinger, T.J. (1843-1919)
When a young man, Mr. Risinger entered the Spencerian Art School
at Geneva, Ohio, and while there was under the personal instruction
of Platt R. Spencer, father of the Spencer Brothers, who were
the authors of the Spencerian System of Penmanship.
Robinson,
Oscar Urban (1880-1949) The remarkable thing
about Mr. Robinson was the fact that he was confined to a wheel
chair for 43 years of his life.
Roundhand or Engrosser's Script Roundhand is
one of the main styles used by engrossers today. It can be appropriately
used for any occasion; it fits in with other styles very well.
Ryan, J.C.,
The Handless Penman He travels farm city to city
and has in his time met and called on all the best penmen of the
profession. He knows all their secrets of working and is a master
at handling ink and putting it into condition.
Schofield,
Fielding (1845-19??) Without doubt it was
while Mr. Schofield was at Quincy, that he reached the apex of
his artistic powers. Surely all penmen of the period are agreed
that from 1883 to 1890 no one surpassed him in skill or in ability
to produce original designs.
Schofield, Fielding, An open letter to The Business Educator March
1924 This veteran penman and teacher celebrated
his 79th birthday on January 17, 1924, the, day having been made
one of overflowing happiness to him by the remembrances of his
friends
Shaded Script,
taken from "Studies in Pen Art" by W.E. Dennis
A very practical style of penmanship is Shaded Script. Much of
the art Engrosser's work includes this bold effective kind of
writing. Policies, diplomas, wills, deeds, etc., are often written
in this style.
Signature
Writing Signature Writing, or "Superscription"
as it was frequently called, represented the epitome of a person's
skill in Ornamental Penmanship.
Skeels, Arthur
G. Mr. Arthur G. Skeels, whose portrait appears
herewith, was born in 1881 near Mineral City, 0hio. As usual,
he is a farm product, receiving his education on the farm and
in the country schools.
Spencer,
Bushrod H. (1863-1948) Another of the old Penmen
has left us, This time it was Professor Bushrod H. Spencer the
well known educator and expert penman of Paterson, N. J.
Spencer, Harvey A., Penholder Patent Letters
Patent No 89,354, dated April 27,1869
Spencer, Harvey A., Penholder Patent 1882
The object of the invention is to facilitate the teaching of penmanship
by placing the pen in the oblique position first, indicating thereby
the proper position of the letters
Spencer
Publications A listing of publications on penmanship
by P.R. Spencer as well as his Sons
Spencerian Key to Practical Penmanship, Chapter 1
Theory of Penmanship
Spencerian Key to Practical Penmanship, Chapter 4
Movements
Spencerian Key to Practical Penmanship, Chapter 9
Shading
Stewart, Thomas J.
(1845-1936) Mr. Stewart was a master penman having
studied under Mr. Flickinger, of Philadelphia, and his school
was ranked among the best.
Stoddard, Dwight L. "The Passing of Great Penmen"
Possibly the passing of great penmen is not different from the
passing of any other great men
Studio
Engrossing While individual penmen promoted their
skills through magazine and mail advertising, in public demonstration,
and by means of written correspondence, engrossing artists tended
to ply their trade from the more formalized aspect of a business,
that is, a studio.
Temperature and Color in Nib Manufacturing, taken from
"The Steel Pen Trade" by A.A.S. Charles
The Secret of the Skill of Madarasz I In order
to get accurate, uniform letters Madarasz used his little finger
for the support of his hand.
The Secret of the Skill of Madarasz II The skill
involved 3 things, two of which everyone in professional penmanship
knew they did, and the third Madarasz did for sure, but others
may not have known they were doing.
The Steel Pen Trade 1930-1980 Text Only
The Steel Pen Trade 1930-1980 With photos
Tomkins, Thomas (1743-1816)
Taken from English Writing Masters by Ambrose Heal
Tower, Francis
Leon by Charlton V. Howe In 1894 he studied and
practiced penmanship and drawing under the personal direction
of that able penman and teacher, S. E. Bartow of New York.
Tower's Penholder Collection Collecting penholders
which have been used by penmen is a hobby with Mr. Tower, who
believes in having a holder for each kind of work and pen.
Tributes to the Late W.E. Dennis Taken from The
Educator September 1924
Vaughan, Frank E. on the passing of S.S. Packard
Taken from The Penman's Art Journal, November 1898
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