In this installment I would like to examine the influence of the fundamental oval shape on letterforms that would appear to have little in common with ovals. An example of such a letter is the lower case 'p'.
This will be the first installment in a series of instructional articles on Engrosser's script. I would like to begin with a discussion of what Engrosser's script is and more importantly, what it is not.
This seventh installment marks the first lesson covering the uppercase letters. Grouping of the capital letters presents a greater challenge than does the lowercase letters. This is due in part to the greater variety of component strokes as shown in Figure 1A.
